Lorenzo Lotto
Italian 1480-1556 Lorenzo Lotto Galleries In this last period of his life, Lorenzo Lotto would frequently move from town to town, searching for patrons and commissions. In 1532 he went to Treviso. Next he spent about seven years in the Marches (Ancona, Macerata en Jesi), returning to Venice in 1540. He moved again to Treviso in 1542 and back to Venice in 1545. Finally he went back to Ancona in 1549. This was a productive period in his life, during which he painted several altarpieces and portraits : Santa Lucia before the Judge, 1532, Jesi, Pinacoteca comunale The Sleeping Child Jesus with the Madonna, St. Joseph and St. Catherine of Alexandria, 1533, Bergamo, Accademia Carrara Portrait of a Lady as Lucretia, 1533, National Gallery, London. Holy Family with SS Jerome, Anna and Joachim, 1534, Firenze, Uffizi Holy Family, ca 1537, Paris, Louvre Portrait of a Young Man, Firenze, Uffizi Crucifixion, Monte San Giusto, Church of S Maria in Telusiano Rosary Madonna, 1539, Cingoli, Church of San Nicolo Portrait of a Man, 1541, Ottawa, National Gallery of Canada Bust of a Bearded Man, 1541, ascribed, San Francisco, Fine Arts Museum The Alms of Saint Anthony, 1542, Venezia, church SS Giovanni e Paolo Madonna and four Saints, 1546, Venezia, Church of San Giacomo dell??Orio Portrait of fra?? Gregorio Belo da Vicenza, 1548,New York, Metropolitan Museum Assumption, 1550, Ancona, church San Francesco alle Scale The Crossbowman, 1551, Rome, Pinacoteca Capitolina Portrait of an Old man, ascribed, ca 1552, Saint Petersburg, Ermitage Presentation in the Temple, 1555, Loreto, Palazzo Apostolico A Venetian woman in the guise of Lucretia (1533).At the end of his life it was becoming increasingly difficult for him to earn a living. Furthermore, in 1550 one of his works had an unsuccessful auction in Ancona. As recorded in his personal account book, this deeply disillusioned him. As he had always been a deeply religious man, he entered in 1552 the Holy Sanctuary at Loreto, becoming a lay brother. During that time he decorated the basilica of S Maria and painted a Presentation in the Temple for the Palazzo Apostolico in Loreto. He died in 1556 and was buried, at his request, in a Dominican habit. Giorgio Vasari included Lotto's biography in the third volume of his book Vite. Lorenzo Lotto himself left many letters and a detailed notebook (Libro di spese diverse, 1538-1556), giving a certain insight in his life and work. Among the many painters he influenced are likely Giovanni Busi

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Lorenzo Lotto The adulterous woman. oil painting


The adulterous woman.
c. 1527-1529 (1525-1550} Medium oil on canvas Dimensions 124 X 156 cm (48.8 X 61.4 in) cjr
Painting ID::  92480
Lorenzo Lotto
The adulterous woman.
c. 1527-1529 (1525-1550} Medium oil on canvas Dimensions 124 X 156 cm (48.8 X 61.4 in) cjr
   
   
     

Lorenzo Lotto Allegory of Virtue and Vice oil painting


Allegory of Virtue and Vice
1505 Type Oil on panel Dimensions 65.5 cm x 42.4 cm (25.8 in x 16.7 in) cyf
Painting ID::  94685
Lorenzo Lotto
Allegory of Virtue and Vice
1505 Type Oil on panel Dimensions 65.5 cm x 42.4 cm (25.8 in x 16.7 in) cyf
   
   
     

Lorenzo Lotto Portrait of Bishop Bernardo de Rossi oil painting


Portrait of Bishop Bernardo de Rossi
1505 Type Oil on panel Dimensions 54.7 cm x 31.3 cm (21.5 in x 12.3 in) cyf
Painting ID::  94690
Lorenzo Lotto
Portrait of Bishop Bernardo de Rossi
1505 Type Oil on panel Dimensions 54.7 cm x 31.3 cm (21.5 in x 12.3 in) cyf
   
   
     

Lorenzo Lotto Madonna with Child between Sts Flavian and Onuphrius oil painting


Madonna with Child between Sts Flavian and Onuphrius
1506 Type Oil on panel Dimensions 53 cm x 67 cm (21 in x 26 in) cyf
Painting ID::  94704
Lorenzo Lotto
Madonna with Child between Sts Flavian and Onuphrius
1506 Type Oil on panel Dimensions 53 cm x 67 cm (21 in x 26 in) cyf
   
   
     

Lorenzo Lotto Martinengo Altarpiece oil painting


Martinengo Altarpiece
1516(1516) Medium oil on panel Dimensions Deutsch: 520 x 250 cm cyf
Painting ID::  94729
Lorenzo Lotto
Martinengo Altarpiece
1516(1516) Medium oil on panel Dimensions Deutsch: 520 x 250 cm cyf
   
   
     

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     Lorenzo Lotto
     Italian 1480-1556 Lorenzo Lotto Galleries In this last period of his life, Lorenzo Lotto would frequently move from town to town, searching for patrons and commissions. In 1532 he went to Treviso. Next he spent about seven years in the Marches (Ancona, Macerata en Jesi), returning to Venice in 1540. He moved again to Treviso in 1542 and back to Venice in 1545. Finally he went back to Ancona in 1549. This was a productive period in his life, during which he painted several altarpieces and portraits : Santa Lucia before the Judge, 1532, Jesi, Pinacoteca comunale The Sleeping Child Jesus with the Madonna, St. Joseph and St. Catherine of Alexandria, 1533, Bergamo, Accademia Carrara Portrait of a Lady as Lucretia, 1533, National Gallery, London. Holy Family with SS Jerome, Anna and Joachim, 1534, Firenze, Uffizi Holy Family, ca 1537, Paris, Louvre Portrait of a Young Man, Firenze, Uffizi Crucifixion, Monte San Giusto, Church of S Maria in Telusiano Rosary Madonna, 1539, Cingoli, Church of San Nicolo Portrait of a Man, 1541, Ottawa, National Gallery of Canada Bust of a Bearded Man, 1541, ascribed, San Francisco, Fine Arts Museum The Alms of Saint Anthony, 1542, Venezia, church SS Giovanni e Paolo Madonna and four Saints, 1546, Venezia, Church of San Giacomo dell??Orio Portrait of fra?? Gregorio Belo da Vicenza, 1548,New York, Metropolitan Museum Assumption, 1550, Ancona, church San Francesco alle Scale The Crossbowman, 1551, Rome, Pinacoteca Capitolina Portrait of an Old man, ascribed, ca 1552, Saint Petersburg, Ermitage Presentation in the Temple, 1555, Loreto, Palazzo Apostolico A Venetian woman in the guise of Lucretia (1533).At the end of his life it was becoming increasingly difficult for him to earn a living. Furthermore, in 1550 one of his works had an unsuccessful auction in Ancona. As recorded in his personal account book, this deeply disillusioned him. As he had always been a deeply religious man, he entered in 1552 the Holy Sanctuary at Loreto, becoming a lay brother. During that time he decorated the basilica of S Maria and painted a Presentation in the Temple for the Palazzo Apostolico in Loreto. He died in 1556 and was buried, at his request, in a Dominican habit. Giorgio Vasari included Lotto's biography in the third volume of his book Vite. Lorenzo Lotto himself left many letters and a detailed notebook (Libro di spese diverse, 1538-1556), giving a certain insight in his life and work. Among the many painters he influenced are likely Giovanni Busi

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